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The New York State Legislature is expected to decide this week whether or not to grant the town of Greenburgh permission to lease the tennis courts at Anthony Veteran park to a private operator and to place a tennis bubble at the courts during months when the courts are not used by the public.
If the legislation is approved the town will generate as much as $3 million in revenue during the 15 year lease. In addition, residents who love tennis will have access to tennis facilities during months when the tennis courts are currently not being used. Improvements to the tennis courts will be made by the private company -saving the taxpayers substantial dollars that would have to be spent on infrastructure improvements. Since the courts are located in unincorporated Greenburgh there will be no financial impact to the villages.
The Greenburgh Town Board has made this proposal our top legislative initiative for 2012. State Senator Andrea Stewart Cousins has introduced legislation in the State Senate and State Assemblyman Tom Abinanti has introduced the same proposed law before the State Assembly.
Members of the Town Board have been in constant communication with both lawmakers and we have encouraged our representatives to take advantage of the considerable respect they have among their colleagues and to use their legislative skills to help the town obtain permission to place the bubble at the courts.
The State Senate and State Assembly will adjourn the session at the end of the week. If the proposed law is not approved by both houses before the legislature adjourns, the town will have to wait until 2013 to have the proposal considered again. The wait will cost taxpayers six figures in lost revenue.
PAUL FEINER
Greenburgh Town Supervisor
21 Haziran 2012 Perşembe
popham road bridge update
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POPHAM ROAD BRIDGE STAGE 3 DEMOLITION
The Village of Scarsdale has announced the Popham Road Bridge Stage 3 demolition is scheduled to commence Monday night, June 18, 2012 and continue until the end of July 2012. For safety reasons the demolition work is required to be performed at night between the hours of 9:00 pm and 5:00 am. The demolition work entails removing the last section (middle section) of the existing bridge which includes the concrete deck, concrete abutments, concrete footings and structural steel. The concrete will be removed with the use of drills, jack hammers and backhoes. The noise level will vary in intensity depending on the type of demolition being performed. The Village has directed the contractor, whenever possible, to perform the noisiest work at the beginning part of the night. Stage 3 is the last bridge construction stage while Stage 4 includes finishing punch list and administrative items. The Popham Road Bridge construction is anticipated to be finished by the end of December 2012 with punch list and administration items completed by February 2013.
The Village of Scarsdale has announced the Popham Road Bridge Stage 3 demolition is scheduled to commence Monday night, June 18, 2012 and continue until the end of July 2012. For safety reasons the demolition work is required to be performed at night between the hours of 9:00 pm and 5:00 am. The demolition work entails removing the last section (middle section) of the existing bridge which includes the concrete deck, concrete abutments, concrete footings and structural steel. The concrete will be removed with the use of drills, jack hammers and backhoes. The noise level will vary in intensity depending on the type of demolition being performed. The Village has directed the contractor, whenever possible, to perform the noisiest work at the beginning part of the night. Stage 3 is the last bridge construction stage while Stage 4 includes finishing punch list and administrative items. The Popham Road Bridge construction is anticipated to be finished by the end of December 2012 with punch list and administration items completed by February 2013.
ASSEMBLY APPROVES TENNIS BUBBLE
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NICE WORK TOM ABINANTI--THANK YOU FOR BEING A GREAT ADVOCATE FOR GREENBURGH~ Assemblyman Tom Abinanti delivers for Greenburgh. I am very pleased to report that the NYS Assembly approved the proposed law that would allow the town to lease our tennis courts to a private operator. The town could generate $3 million in revenue during the 15 year lease.
The proposed state legislation now has to be voted on by the NYS Senate. I spoke with State Senator Andrea Stewart Cousins a short time ago. She is working hard to persuade her colleagues in the Senate to approve the local law before the Senate recesses on Thursday.
We are very grateful to Assemblyman Abinanti for being an effective advocate for our community --and for working so hard to help the town generate significant revenue from the private sector.
PAUL FEINER
-----Original Message-----
From: Joanne Sold [mailto:soldj@assembly.state.ny.us]
Sent: Tuesday, June 19, 2012 12:55 PM
Subject: RE: Greenburgh tennis bill passed Assembly today
Nice work Tom!!!!
The New York State Legislature is expected to decide this week whether or not to grant the town of Greenburgh permission to lease the tennis courts at Anthony Veteran park to a private operator and to place a tennis bubble at the courts during months when the courts are not used by the public.
If the legislation is approved the town will generate as much as $3 million in revenue during the 15 year lease. In addition, residents who love tennis will have access to tennis facilities during months when the tennis courts are currently not being used. Improvements to the tennis courts will be made by the private company -saving the taxpayers substantial dollars that would have to be spent on infrastructure improvements. Since the courts are located in unincorporated Greenburgh there will be no financial impact to the villages.
The Greenburgh Town Board has made this proposal our top legislative initiative for 2012. State Senator Andrea Stewart Cousins has introduced legislation in the State Senate and State Assemblyman Tom Abinanti has introduced the same proposed law before the State Assembly.
Members of the Town Board have been in constant communication with both lawmakers and we have encouraged our representatives to take advantage of the considerable respect they have among their colleagues and to use their legislative skills to help the town obtain permission to place the bubble at the courts.
The State Senate and State Assembly will adjourn the session at the end of the week. If the proposed law is not approved by both houses before the legislature adjourns, the town will have to wait until 2013 to have the proposal considered again. The wait will cost taxpayers six figures in lost revenue.
PAUL FEINER
Greenburgh Town Supervisor
The proposed state legislation now has to be voted on by the NYS Senate. I spoke with State Senator Andrea Stewart Cousins a short time ago. She is working hard to persuade her colleagues in the Senate to approve the local law before the Senate recesses on Thursday.
We are very grateful to Assemblyman Abinanti for being an effective advocate for our community --and for working so hard to help the town generate significant revenue from the private sector.
PAUL FEINER
-----Original Message-----
From: Joanne Sold [mailto:soldj@assembly.state.ny.us]
Sent: Tuesday, June 19, 2012 12:55 PM
Subject: RE: Greenburgh tennis bill passed Assembly today
Nice work Tom!!!!
The New York State Legislature is expected to decide this week whether or not to grant the town of Greenburgh permission to lease the tennis courts at Anthony Veteran park to a private operator and to place a tennis bubble at the courts during months when the courts are not used by the public.
If the legislation is approved the town will generate as much as $3 million in revenue during the 15 year lease. In addition, residents who love tennis will have access to tennis facilities during months when the tennis courts are currently not being used. Improvements to the tennis courts will be made by the private company -saving the taxpayers substantial dollars that would have to be spent on infrastructure improvements. Since the courts are located in unincorporated Greenburgh there will be no financial impact to the villages.
The Greenburgh Town Board has made this proposal our top legislative initiative for 2012. State Senator Andrea Stewart Cousins has introduced legislation in the State Senate and State Assemblyman Tom Abinanti has introduced the same proposed law before the State Assembly.
Members of the Town Board have been in constant communication with both lawmakers and we have encouraged our representatives to take advantage of the considerable respect they have among their colleagues and to use their legislative skills to help the town obtain permission to place the bubble at the courts.
The State Senate and State Assembly will adjourn the session at the end of the week. If the proposed law is not approved by both houses before the legislature adjourns, the town will have to wait until 2013 to have the proposal considered again. The wait will cost taxpayers six figures in lost revenue.
PAUL FEINER
Greenburgh Town Supervisor
2 excellent new websites promoting the best of Edgemont!
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2 new Edgemont websites that promote the positives of Edgemont. Am very pleased. These sites are designed by the Edgemont Community Council. It's very needed. And- hopefully will inspire other neighborhoods to do the same!
Just wanted you to know that we've launched our new website to "boost" Edgemont as the wonderful community it is:
http://www.edgemontnewyork.com/
We've also launched a new Facebook page, that is a "happy news" only page: www.facebook.com/EdgemontNewYork
Just wanted you to know that we've launched our new website to "boost" Edgemont as the wonderful community it is:
http://www.edgemontnewyork.com/
We've also launched a new Facebook page, that is a "happy news" only page: www.facebook.com/EdgemontNewYork
MEETING ON JULY 11 CRANE RD BRIDGE REPLACEMENT
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I spoke with the Mayor of Scarsdale today about the Crane Road bridge replacement project which will impact Edgemont residents and Ardsley Road. The Mayor invited Edgemont/Greenburgh residents to attend a meeting of the Scardale Village Board of Trustees on Wednesday, July 11th at 6:55 PM -3rd floor meeting room in village hall. The topic: construction issues: Crane Road bridge replacement project with Westchester County.
I spoke with the Mayor of Scarsdale today about the Crane Road bridge replacement project which will impact Edgemont residents and Ardsley Road. The Mayor invited Edgemont/Greenburgh residents to attend a meeting of the Scardale Village Board of Trustees on Wednesday, July 11th at 6:55 PM -3rd floor meeting room in village hall. The topic: construction issues: Crane Road bridge replacement project with Westchester County.
20 Haziran 2012 Çarşamba
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The Diet Coke ads in the Porter Square T stop — featuring cans decorated or arranged to suggest when they should be enjoyed — have been bothering me for weeks.
Yoga class is one suggestion, illustrated with an upside-down can. Morning is another, with a Starbucks-style sleeve added, implying the drink is like a hot cup of coffee and your hand needs protection while holding it.
Drinking Diet Coke in the morning still has a taint of ill health to it, unlike coffee, and it’s hard to reconcile the pure image of yoga with that of the dark, bubbly, excessively sweet and possibly cancerous cola. (I say all this as a fan; Diet Coke is my drink of choice, in all its varieties.) The ads are also odd because the Coca-Cola Co. is only weeks away from releasing Diet Coke Plus, which adds vitamins and minerals but still contains no calories, to an increasingly health-conscious world. Pushing an image of Diet Coke as healthful and wholesome could obscure the message of Diet Coke Plus.
But that’s the most that can be said about the campaign, which seems to be either minuscule or unfairly ignored. Some poking around the Internet found no buzz (or, I suppose, outrage) about it, or even media recognition. My understanding is that the international Weiden + Kennedy agency is handling Diet Coke advertising, but all the talk is about its television ads, not cheap posters thrown up for the public transportation crowd.
I’m left with my own take: The ads can’t possibly be effective. Yoga culture is a pure one, and its drink of choice is water. And coffee drinkers are not going to swap a hot and hearty breakfast drink for one intended to be ice cold and effervescent. The cultures are hermetic, impermeable — making the ads misguided and mystifying, like suggesting comic books to opera lovers or a cheese plate to people used to having a heaping hot fudge sundae for dessert. Different worlds.
This isn’t the only failed print campaign out there. I agree with Sabine’s blog, Sidetracked …, that Special K has a loser up as well.

The Diet Coke ads in the Porter Square T stop — featuring cans decorated or arranged to suggest when they should be enjoyed — have been bothering me for weeks.Yoga class is one suggestion, illustrated with an upside-down can. Morning is another, with a Starbucks-style sleeve added, implying the drink is like a hot cup of coffee and your hand needs protection while holding it.
Drinking Diet Coke in the morning still has a taint of ill health to it, unlike coffee, and it’s hard to reconcile the pure image of yoga with that of the dark, bubbly, excessively sweet and possibly cancerous cola. (I say all this as a fan; Diet Coke is my drink of choice, in all its varieties.) The ads are also odd because the Coca-Cola Co. is only weeks away from releasing Diet Coke Plus, which adds vitamins and minerals but still contains no calories, to an increasingly health-conscious world. Pushing an image of Diet Coke as healthful and wholesome could obscure the message of Diet Coke Plus.
But that’s the most that can be said about the campaign, which seems to be either minuscule or unfairly ignored. Some poking around the Internet found no buzz (or, I suppose, outrage) about it, or even media recognition. My understanding is that the international Weiden + Kennedy agency is handling Diet Coke advertising, but all the talk is about its television ads, not cheap posters thrown up for the public transportation crowd.
I’m left with my own take: The ads can’t possibly be effective. Yoga culture is a pure one, and its drink of choice is water. And coffee drinkers are not going to swap a hot and hearty breakfast drink for one intended to be ice cold and effervescent. The cultures are hermetic, impermeable — making the ads misguided and mystifying, like suggesting comic books to opera lovers or a cheese plate to people used to having a heaping hot fudge sundae for dessert. Different worlds.
This isn’t the only failed print campaign out there. I agree with Sabine’s blog, Sidetracked …, that Special K has a loser up as well.
Sleepover: Weekly comedy night could be new comics' community
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There was more than one thing in the air Monday at the Cantab Lounge. The first was a fecal stench. The second, fortunately, was the possibility Cambridge has found a successor to the Great and Secret Show — the long-running alternative comedy night that recently ended its run at another Central Square venue, ImprovBoston.
The Cantab show, the Greater Boston Alternative Comedy Sleepover, is the creation of comedians Chris Coxen and Robby Roadsteamer, who intend for it to be weekly, like the Great and Secret, and free, as the Great and Secret was in its heydays with the Walsh Brothers at ImprovBoston’s old location in Inman Square. Coxen and rock star Roadsteamer are mainstays of the local comedy scene and know just about everyone in it, so they have a broad field of talent from which to recruit acts and plenty of good will to keep the talent around while audiences build.
Monday’s inaugural audience included more participants than watchers, but there were also plenty of nights the Great and Secret was like that. In fact, that show’s magic was partly that it was a community of comedians, and the comfortable atmosphere contributed to an environment in which comics felt free to try out material that was new or on the iffier side of alternative. It wasn’t always funny but, well, what did audiences want for free?
The first Sleepover had a little of that going on; Nate Johnson riffed on the odor in the air, creating on the fly the character of Hiram Pines, a formerly homeless man selling perfumes and colognes, and not all instant comedy is going to kill. But it’s consistently more interesting than most of the observational humor trotted out at two-drink-minimum clubs, and Johnson returned later for a Coxen & Johnson “Telepathy brothers” sketch that grew steadily more funny.
Niki Luparelli did a breathy, sweet solo variation on her Steamy Bohemians sex bomb persona, swinging a hula hoop while telling dirty jokes and pulling various items out of (and putting others into) her bra. The most revealing thing about her act, though, was the power and beauty of her singing, despite the silliness of playing along on the ukulele and kazoo. She brought welcome energy to the show, probably topped only by Roadsteamer’s usual antics: roaring exhortations to the audience and abbreviated hard-rock tunes keying off whatever he’s feeling at the time. Monday the crowd got a bit of “Someone Put a Condom on My Dreams,” “I Hope I Get Something Creative Out of This,” about artists’ tendencies to use whatever sucks in their lives, and “I Got Construction Boots,” in which Roadsteamer and glockenspiel player Nikki Dessingue (more commonly known as a keyboardist/lyricist/vocalist for Where the Land Meets the Sea and The Campaign for Real Time) improvised rants about who’s in what kinds of boots. Dessingue’s presence made Roadsteamer’s act strangely charming, like putting a kind of screwball romance filter over the amps and aggression of the man behind “I Put a Baby in You.”
Probably best of all, though, for all of those missing the old Great and Secret, were the comedians who put storytelling into their sets. Mehran told an uproarious X-rated story about a man he met while looking for a roommate. “I love how long we’ve talked about this,” Mehran exulted at the end, but his exuberance and surreal turn of phrase never let the audience tire of the story. Rather than just be curious as to where the story was going, listeners got to relish the smaller surprises of his language along the way. And Ken Reid turned his day’s real estate frustrations into an extended rant on living in Somerville, which he’s come to feel is like the older brother “that dropped out of high school but still buys Cambridge beer. He used to be kind of cool.” (It’s easier to understand the sentiment if you, like Reid, were to come home midday and find two homeless and/or developmentally disabled people making “mouth love” topless on a stained mattress on your sidewalk. All true.)
The Sleepover has a distance to go — first, ensuring there’s no return of what Coxen called the “rustic essence in the air” — before it’s a second home like the Great and Secret. But the hanging-out after a Great and Secret Show wrapped was part of the show's charm, and the Cantab’s bar is open long after Sleepovers end, as well as there being music upstairs. Coxen and Roadsteamer may yet be able to work out the kinks without stamping out the community.
Coxen acknowledged Tuesday that the Great and Secret is something of a model for the Sleepover. “Without a doubt,” he said, he wants a sense of looseness and community. “But the Great and Secret was not an open mic night, and I have the same feelings with this show. What I will say is that for people I trust, like Ken or Shane Mauss, I would definitely encourage them to try new stuff.”
Still, he said, “It’s not just about the performers. I want it to be fun for everyone.”
The Greater Boston Alternative Comedy Sleepover runs every Monday from 8 to 10 p.m. at the Cantab Lounge, 738 Massachusetts Ave., Central Square, Cambridge. Call (617) 354-2685 or go to club-bohemia.com.
The Cantab show, the Greater Boston Alternative Comedy Sleepover, is the creation of comedians Chris Coxen and Robby Roadsteamer, who intend for it to be weekly, like the Great and Secret, and free, as the Great and Secret was in its heydays with the Walsh Brothers at ImprovBoston’s old location in Inman Square. Coxen and rock star Roadsteamer are mainstays of the local comedy scene and know just about everyone in it, so they have a broad field of talent from which to recruit acts and plenty of good will to keep the talent around while audiences build.
Monday’s inaugural audience included more participants than watchers, but there were also plenty of nights the Great and Secret was like that. In fact, that show’s magic was partly that it was a community of comedians, and the comfortable atmosphere contributed to an environment in which comics felt free to try out material that was new or on the iffier side of alternative. It wasn’t always funny but, well, what did audiences want for free?
The first Sleepover had a little of that going on; Nate Johnson riffed on the odor in the air, creating on the fly the character of Hiram Pines, a formerly homeless man selling perfumes and colognes, and not all instant comedy is going to kill. But it’s consistently more interesting than most of the observational humor trotted out at two-drink-minimum clubs, and Johnson returned later for a Coxen & Johnson “Telepathy brothers” sketch that grew steadily more funny.
Niki Luparelli did a breathy, sweet solo variation on her Steamy Bohemians sex bomb persona, swinging a hula hoop while telling dirty jokes and pulling various items out of (and putting others into) her bra. The most revealing thing about her act, though, was the power and beauty of her singing, despite the silliness of playing along on the ukulele and kazoo. She brought welcome energy to the show, probably topped only by Roadsteamer’s usual antics: roaring exhortations to the audience and abbreviated hard-rock tunes keying off whatever he’s feeling at the time. Monday the crowd got a bit of “Someone Put a Condom on My Dreams,” “I Hope I Get Something Creative Out of This,” about artists’ tendencies to use whatever sucks in their lives, and “I Got Construction Boots,” in which Roadsteamer and glockenspiel player Nikki Dessingue (more commonly known as a keyboardist/lyricist/vocalist for Where the Land Meets the Sea and The Campaign for Real Time) improvised rants about who’s in what kinds of boots. Dessingue’s presence made Roadsteamer’s act strangely charming, like putting a kind of screwball romance filter over the amps and aggression of the man behind “I Put a Baby in You.”
Probably best of all, though, for all of those missing the old Great and Secret, were the comedians who put storytelling into their sets. Mehran told an uproarious X-rated story about a man he met while looking for a roommate. “I love how long we’ve talked about this,” Mehran exulted at the end, but his exuberance and surreal turn of phrase never let the audience tire of the story. Rather than just be curious as to where the story was going, listeners got to relish the smaller surprises of his language along the way. And Ken Reid turned his day’s real estate frustrations into an extended rant on living in Somerville, which he’s come to feel is like the older brother “that dropped out of high school but still buys Cambridge beer. He used to be kind of cool.” (It’s easier to understand the sentiment if you, like Reid, were to come home midday and find two homeless and/or developmentally disabled people making “mouth love” topless on a stained mattress on your sidewalk. All true.)
The Sleepover has a distance to go — first, ensuring there’s no return of what Coxen called the “rustic essence in the air” — before it’s a second home like the Great and Secret. But the hanging-out after a Great and Secret Show wrapped was part of the show's charm, and the Cantab’s bar is open long after Sleepovers end, as well as there being music upstairs. Coxen and Roadsteamer may yet be able to work out the kinks without stamping out the community.
Coxen acknowledged Tuesday that the Great and Secret is something of a model for the Sleepover. “Without a doubt,” he said, he wants a sense of looseness and community. “But the Great and Secret was not an open mic night, and I have the same feelings with this show. What I will say is that for people I trust, like Ken or Shane Mauss, I would definitely encourage them to try new stuff.”
Still, he said, “It’s not just about the performers. I want it to be fun for everyone.”
The Greater Boston Alternative Comedy Sleepover runs every Monday from 8 to 10 p.m. at the Cantab Lounge, 738 Massachusetts Ave., Central Square, Cambridge. Call (617) 354-2685 or go to club-bohemia.com.
19 Haziran 2012 Salı
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to graduate school from college,
I'd be 24 right now,
the year would be 2005.
We'd be sad about the election.
I would have tried to get my Expos kids to vote.
Expos was probably different in 2005.
I'd still have blonde streaks
but I'd live in New Brunswick
and maybe Paul would live here too,
commuting to edonkey in Hoboken
and looking for another job,
(or maybe instead I'd be dating someone who in 2012 is totally going to all these conferences
how awkward for 2012 me to run into this guy from 2004 he has really not aged well
but neither have I)
and I'd be doing a twentieth-century poetry list
and that lady would not have rewritten my Plath esssay
but she probably was already working on it.
And I wouldn't have had all those lunches in Soho
or gotten quite so drunk on quite so many weeknights
and come into work on two hours of sleep and phoned it in and napped at lunch
and maybe less wandering around the park listening to Joanna Newsom who knows
and I don't know, it probably would have been fine
or else it would still be 2012 and I would still be 31
and I probably wouldn't have a job anyway, right?
or else I would be totally directing your dissertation you guys
if by "you guys" I mean your little sister's honors thesis
and I don't know, it's a pretty good honor's thesis
You guys should be proud
I'd be 24 right now,
the year would be 2005.
We'd be sad about the election.
I would have tried to get my Expos kids to vote.
Expos was probably different in 2005.
I'd still have blonde streaks
but I'd live in New Brunswick
and maybe Paul would live here too,
commuting to edonkey in Hoboken
and looking for another job,
(or maybe instead I'd be dating someone who in 2012 is totally going to all these conferences
how awkward for 2012 me to run into this guy from 2004 he has really not aged well
but neither have I)
and I'd be doing a twentieth-century poetry list
and that lady would not have rewritten my Plath esssay
but she probably was already working on it.
And I wouldn't have had all those lunches in Soho
or gotten quite so drunk on quite so many weeknights
and come into work on two hours of sleep and phoned it in and napped at lunch
and maybe less wandering around the park listening to Joanna Newsom who knows
and I don't know, it probably would have been fine
or else it would still be 2012 and I would still be 31
and I probably wouldn't have a job anyway, right?
or else I would be totally directing your dissertation you guys
if by "you guys" I mean your little sister's honors thesis
and I don't know, it's a pretty good honor's thesis
You guys should be proud
18 Haziran 2012 Pazartesi
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I’ve referred to New York Times columnist Thomas L. Friedman roughly a half-dozen times in this blog, each time bashing him as uselessly obtuse and confused. I’ve called him “deranged,” an idiot, theorized he’s “absolutely fucking nuts,” “wrong-headed,” a weirdo, “off the rails,” a babbler, a “bright-eyed rube,” someone struggling to “stay on his meds.”
But now I feel like the idiot, because he’s none of the above.
What he is, it turns out, is an extraordinarily wealthy man — living in a $9.3 million home, married into a family with an estimated worth of $2.7 billion — essentially working undercover as a shill, a beard, a stalking horse for his class, nine times out of 10 espousing cynically self-serving ideas in the guise of globalized idealist.
Struggling to see clearly into the reasoned, liberal penumbra of the Times, I imagined him to be smart but misguided, intellectually isolated by the shock of 9/11 but worth listening to for signs of recovery. In fact, his dangerous opinions (Iraq is a grand experiment we should support! It’s a flat flat flat flat world, and we should embrace a globalized economy because it’s so exciting to compete!) are nothing but the standard arguments of an elite who doesn’t have to care what happens to the rest of us — and doesn’t.
His biography on the Times’ Web site somehow fails to give full disclosure of his immense wealth or suggest how it may affect his views or writing; David Sirota, writing late last month on Huffingtonpost.com, fills in the missing details.
I’ve rolled my eyes uncountable times after reading Friedman’s columns, but never caught on to why they’re so overwhelmingly misguided. Despite my acknowledgment that I was a willing participant in my own deception, that doesn’t mean I feel any less deceived. Or angry.
With the very rare exception, notably his columns on GM feeding American’s oil addiction, Friedman does not write as one of us. He is, in fact, one of them — a member of one of the 100 richest families in the country, according to Washingtonian Magazine, one of those who are not hurt by war or globalism and thus cannot honestly discuss it from the level of one who is.
Spread the word: Friedman doesn’t write nonsense; he writes propaganda.
But now I feel like the idiot, because he’s none of the above.
What he is, it turns out, is an extraordinarily wealthy man — living in a $9.3 million home, married into a family with an estimated worth of $2.7 billion — essentially working undercover as a shill, a beard, a stalking horse for his class, nine times out of 10 espousing cynically self-serving ideas in the guise of globalized idealist.
Struggling to see clearly into the reasoned, liberal penumbra of the Times, I imagined him to be smart but misguided, intellectually isolated by the shock of 9/11 but worth listening to for signs of recovery. In fact, his dangerous opinions (Iraq is a grand experiment we should support! It’s a flat flat flat flat world, and we should embrace a globalized economy because it’s so exciting to compete!) are nothing but the standard arguments of an elite who doesn’t have to care what happens to the rest of us — and doesn’t.
His biography on the Times’ Web site somehow fails to give full disclosure of his immense wealth or suggest how it may affect his views or writing; David Sirota, writing late last month on Huffingtonpost.com, fills in the missing details.
I’ve rolled my eyes uncountable times after reading Friedman’s columns, but never caught on to why they’re so overwhelmingly misguided. Despite my acknowledgment that I was a willing participant in my own deception, that doesn’t mean I feel any less deceived. Or angry.
With the very rare exception, notably his columns on GM feeding American’s oil addiction, Friedman does not write as one of us. He is, in fact, one of them — a member of one of the 100 richest families in the country, according to Washingtonian Magazine, one of those who are not hurt by war or globalism and thus cannot honestly discuss it from the level of one who is.
Spread the word: Friedman doesn’t write nonsense; he writes propaganda.
THE TEAMING MASSES
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Since being an outsider breeds resentment, you can imagine the pique simmering in me from a dozen-plus years living in, ahem, Red Sox Nation and its overlapping districts of Patriotstown, Celticsville and Bruinsburg. Oh, and Revolutionboro. (A mighty small place, Revolutionboro.)
I was nervous the first time crossing the border into the nation; nearly everyone else on the T had prepared by dressing in native garb — a dizzying array of jerseys, jackets, T-shirts, caps and so on labeled “B” for “Red Sox.” I knew that when we got to the station we’d have to queue up and pass inspection, and I wasn’t wearing a single article of clothing advertising my allegiance to a local sports team. My jitters were soothed, though, by an official announcement that, upon arrival, “Those who are not wearing Red Sox-branded clothing shall be issued Red Sox-branded clothing.”
Well, no. This is just in the imagination of someone utterly disinterested in the fortunes of Ye Olde Towne Teame, or whatever cutesy, nonsense nickname sportswriters use when they tire of writing “Red Sox.” Neither the hordes of drunken fans that clog the T nor the horrendous traffic that clogs the streets at game time cause me anywhere near as much irritation as the simple ubiquity of Red Sox clothing. It warrants the same bitter, resigned stare from me as the Abercrombie & Fitch folk get, a look I can put into words as: “Could you try just a little harder?” Sox apparel is the equivalent of the pro-family, anticrime politician, or the people who controversially assert themselves as being in favor of fun and liking stuff. But good stuff. Not bad stuff. This is branding of the most obligatory nature, a national ID card, and the sense of oppression suggested by that is no accident.
I wish I got it. It would make my life much easier, I suspect, if I could be one of the Sox crowd. Throw on the jersey, put on the cap, take out a bank loan, head to Fenway. And talk endlessly and knowledgeably about the game, the players, the trades, our chances, that Theo, those darn Yankees. Argh, those Yankees. They suck! They’re kind of like Hitler, aren’t they? Yes, especially when they buy up all our players with their damned Yankee money — they have too much of it, it’s disgusting — and confuse us by making sure the people we loved as one of us last season we vilify this season as turncoats.
I don’t get any of this, unfortunately.
The team’s success, or individual players’ genius on the field, reflects little upon Boston and not at all upon the individual fans who get so worked up contemplating one, the other or their opposite.
There are metaphorical aspects of the team to consider, I acknowledge, romantically casting us and the city as scrappy, lovable losers: the players are underdogs struggling against a curse, a storyline that had to be rewritten when the Sox actually won the World Series, and had to be revised again, in a Pynchonesque petering out of plot and structure, when it again lost; the team is also an embodiment of a city struggling to maintain its pride against a behemoth quietly buying up and shutting down its soul. As much as this should resonate, it’s hard to stay serious about it when the players earn millions a year and inevitably turn free agent, only for the narrative to be repeated the next year with different players.
Now, if we invest emotion in the players as our surrogates on the field and against New York, we also have to admit that pretty soon all these guys will be off to a bigger paycheck elsewhere. And that just leads us to admit that Boston is a city of transients, an endless line of passers-through in a queue that just happens to lead past a souvenir shop full of Red Sox paraphernalia. While we’re waiting to leave, we’ve nothing better to do than shop. Beats talking to the guy in front of us, but it’s not a very romantic image.
When Red Sox players really were Bostonians — born here, living here, with family here — our tribalism made some sense, as we could argue or imagine that the players were us and, if we were good and fate smiled upon us, vice versa. The skills of the players were worth celebrating because they suggested native talent, or at least the pluckiness that kept us competing through several decades of accursedness. There was an emotional connection.
With the revolving door of players, fandom has become a very different game: one of calculation, of dollars and cents, of whether management bought and sold the right players. In terms of dramatic narrative, it should be about as fun as hunting through the stocks tables in the Journal to see how much money other people made that day. Somehow, the Red Sox and other sports teams at its level have figured out how to make people respond emotionally to this, and even pay for the privilege.
Inevitably, I’m led to a final metaphor: of mass slavish, unthinking devotion to a government that does absolutely nothing for its citizens but offer endless war, glimpses of other people’s wealth and bright, ubiquitous flags to wave. But that sounds depressingly like the United States, and we don’t live in the United States. We live in Red Sox Nation.
I was nervous the first time crossing the border into the nation; nearly everyone else on the T had prepared by dressing in native garb — a dizzying array of jerseys, jackets, T-shirts, caps and so on labeled “B” for “Red Sox.” I knew that when we got to the station we’d have to queue up and pass inspection, and I wasn’t wearing a single article of clothing advertising my allegiance to a local sports team. My jitters were soothed, though, by an official announcement that, upon arrival, “Those who are not wearing Red Sox-branded clothing shall be issued Red Sox-branded clothing.”
Well, no. This is just in the imagination of someone utterly disinterested in the fortunes of Ye Olde Towne Teame, or whatever cutesy, nonsense nickname sportswriters use when they tire of writing “Red Sox.” Neither the hordes of drunken fans that clog the T nor the horrendous traffic that clogs the streets at game time cause me anywhere near as much irritation as the simple ubiquity of Red Sox clothing. It warrants the same bitter, resigned stare from me as the Abercrombie & Fitch folk get, a look I can put into words as: “Could you try just a little harder?” Sox apparel is the equivalent of the pro-family, anticrime politician, or the people who controversially assert themselves as being in favor of fun and liking stuff. But good stuff. Not bad stuff. This is branding of the most obligatory nature, a national ID card, and the sense of oppression suggested by that is no accident.
I wish I got it. It would make my life much easier, I suspect, if I could be one of the Sox crowd. Throw on the jersey, put on the cap, take out a bank loan, head to Fenway. And talk endlessly and knowledgeably about the game, the players, the trades, our chances, that Theo, those darn Yankees. Argh, those Yankees. They suck! They’re kind of like Hitler, aren’t they? Yes, especially when they buy up all our players with their damned Yankee money — they have too much of it, it’s disgusting — and confuse us by making sure the people we loved as one of us last season we vilify this season as turncoats.
I don’t get any of this, unfortunately.
The team’s success, or individual players’ genius on the field, reflects little upon Boston and not at all upon the individual fans who get so worked up contemplating one, the other or their opposite.
There are metaphorical aspects of the team to consider, I acknowledge, romantically casting us and the city as scrappy, lovable losers: the players are underdogs struggling against a curse, a storyline that had to be rewritten when the Sox actually won the World Series, and had to be revised again, in a Pynchonesque petering out of plot and structure, when it again lost; the team is also an embodiment of a city struggling to maintain its pride against a behemoth quietly buying up and shutting down its soul. As much as this should resonate, it’s hard to stay serious about it when the players earn millions a year and inevitably turn free agent, only for the narrative to be repeated the next year with different players.
Now, if we invest emotion in the players as our surrogates on the field and against New York, we also have to admit that pretty soon all these guys will be off to a bigger paycheck elsewhere. And that just leads us to admit that Boston is a city of transients, an endless line of passers-through in a queue that just happens to lead past a souvenir shop full of Red Sox paraphernalia. While we’re waiting to leave, we’ve nothing better to do than shop. Beats talking to the guy in front of us, but it’s not a very romantic image.
When Red Sox players really were Bostonians — born here, living here, with family here — our tribalism made some sense, as we could argue or imagine that the players were us and, if we were good and fate smiled upon us, vice versa. The skills of the players were worth celebrating because they suggested native talent, or at least the pluckiness that kept us competing through several decades of accursedness. There was an emotional connection.
With the revolving door of players, fandom has become a very different game: one of calculation, of dollars and cents, of whether management bought and sold the right players. In terms of dramatic narrative, it should be about as fun as hunting through the stocks tables in the Journal to see how much money other people made that day. Somehow, the Red Sox and other sports teams at its level have figured out how to make people respond emotionally to this, and even pay for the privilege.
Inevitably, I’m led to a final metaphor: of mass slavish, unthinking devotion to a government that does absolutely nothing for its citizens but offer endless war, glimpses of other people’s wealth and bright, ubiquitous flags to wave. But that sounds depressingly like the United States, and we don’t live in the United States. We live in Red Sox Nation.
ERRORISM
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A new terrorist plot is coloring an ongoing political season, and that means there are some important things to remember in the upcoming weeks and months. All are important primarily because Republicans, and the increasingly indistinguishable Democratic U.S. Sen. Joseph Lieberman, have politicized and will certainly continue to politicize the threat of terrorism, painting Democrats as weak and their election as an invitation to attack. This reached its nadir in the 2004 elections, when Vice President Cheney said:
Now, as then, we must remember that the terrorist attacks of Sept. 11, 2001, happened while a Republican — George W. Bush — was in office. We must also remember that every attempt since to strike the United States or its allies with terrorism has taken place with the same Republicans in office.
It is also worth noting that intelligence agencies and every sane, conscious and knowledgeable person on Earth acknowledges that Iraq, which the United States and its allies attacked for no reason having to do with 9/11, has become a breeding ground and rallying point for terrorists. The primary reason for this is that our presence in Iraq angers a lot of people. We have no good argument for having invaded or occupied the country — and the world knows it. (If we wanted to make a point about U.S. might and mercy, the delights of democracy and the perils of pursuing terrorism, it should rightfully have been done in Afghanistan, where we had moral authority. Instead, that nation is slipping back into the hands of the Taliban, just as we are losing in Iraq, and Osama bin Laden is still free.)
Hard-liners say terrorists would be emboldened by our leaving Iraq and strike us all the harder. As Lieberman said of the man who beat him in the Connecticut Democratic primary:
A proper response is that, in fact, the terrorists would have less reason to be angry if we left Iraq, and we would have more resources to use in keeping ourselves safe from them.
In short, Republicans and their policies are a provocation to terrorists and — considering Iraq and the astonishingly flawed Department of Homeland Security — wasteful of resources that could be used to combat terrorism. Voting them back into office would be a dangerous error.
It’s absolutely essential that eight weeks from today, on Nov. 2, we make the right choice [in electing a president], because if we make the wrong choice then the danger is that we’ll get hit again and we’ll be hit in a way that will be devastating from the standpoint of the United States.
Now, as then, we must remember that the terrorist attacks of Sept. 11, 2001, happened while a Republican — George W. Bush — was in office. We must also remember that every attempt since to strike the United States or its allies with terrorism has taken place with the same Republicans in office.
It is also worth noting that intelligence agencies and every sane, conscious and knowledgeable person on Earth acknowledges that Iraq, which the United States and its allies attacked for no reason having to do with 9/11, has become a breeding ground and rallying point for terrorists. The primary reason for this is that our presence in Iraq angers a lot of people. We have no good argument for having invaded or occupied the country — and the world knows it. (If we wanted to make a point about U.S. might and mercy, the delights of democracy and the perils of pursuing terrorism, it should rightfully have been done in Afghanistan, where we had moral authority. Instead, that nation is slipping back into the hands of the Taliban, just as we are losing in Iraq, and Osama bin Laden is still free.)
Hard-liners say terrorists would be emboldened by our leaving Iraq and strike us all the harder. As Lieberman said of the man who beat him in the Connecticut Democratic primary:
If we just pick up like Ned Lamont wants us to do, get out by a certain date, it will be taken as a tremendous victory by the same people who wanted to blow up these planes in this plot hatched in England. It will strengthen them, and they will strike again.
A proper response is that, in fact, the terrorists would have less reason to be angry if we left Iraq, and we would have more resources to use in keeping ourselves safe from them.
In short, Republicans and their policies are a provocation to terrorists and — considering Iraq and the astonishingly flawed Department of Homeland Security — wasteful of resources that could be used to combat terrorism. Voting them back into office would be a dangerous error.
THE SHAMING OF THE CREW
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Given the level of directorial interpolation and deletion going on in the Commonwealth Shakespeare Co.’s “Taming of the Shrew,” this year’s free Shakespeare on the Boston Common, it is more than a little odd and offensive that the ending ran as written in the late 16th century — with the explosive Katharina becoming an obedient servant to Petruchio, her new husband, and telling other wives at length that “thy husband is thy lord, thy life, thy keeper, thy head, thy sovereign.” Petruchio makes 100 crowns off this display, winning it from other husbands.
Director Steven Maler set the play in Boston’s North End in the 1950s, which is about the last time Katharina’s sentiments might have been so enthusiastically embraced. It’s an entertaining conceit, but putting “Shrew” into a time capsule, even one back only 50 or so years, doesn’t really forgive the faithfulness to the script. Earlier in the show, when Lucentio urges other characters to “give him head,” meaning listen, another character turns away, muttering he doesn’t want to see any such thing.
Funny, but contemporary, and it’s cha cha-ing along a pretty fine line to make the play relevant in such a way to modern audiences without acknowledging that the resolution of the play, as written, is agonizingly sexist. To say the reaction to “give him head” and Katharina’s speech are both items for a time capsule, and thus acceptable as such to a modern audience, is glib; Lucentio and the others on stage share an idiom, so there’s no getting around that misunderstanding “give him head” is a comment to people in 2006, not the 1950s. There are Shakespeare purists who wouldn’t want to change the message of the play’s ending, but once you start screwing around with the text to make three hours of “Shrew” fly by, setting it in “Bostonia,” making Petruchio’s horse into a Vespa and such, you start to lose moral authority on leaving the sexism intact.
It would have been so easy to get around the excruciating nature of Katharina’s speech, too. As the people with whom I saw the play pointed out, Petruchio and Katharina could have been shown to be in collusion — as equals — to win the 100 crowns by falsely portraying her to be a meek and subservient woman.
This inadequate amount of effort, interestingly, reflected itself in a very different and very physical way on the production, which ended Sunday. The set for the play was beautiful, clever and accomplished, but it was also set low enough that much of the onstage action was impossible to see from only several meters back. It’s a mystery why set designer John Coyne couldn’t raise the action high enough over the lawn that audience members could see the action no matter how far back they sat.
The director and set designer made impressive efforts in their respective arenas, and each seemed to make decisions to hold back that caused discomfort to the audience — or, at least, to audience members with enough distance to appreciate what was lacking.
Director Steven Maler set the play in Boston’s North End in the 1950s, which is about the last time Katharina’s sentiments might have been so enthusiastically embraced. It’s an entertaining conceit, but putting “Shrew” into a time capsule, even one back only 50 or so years, doesn’t really forgive the faithfulness to the script. Earlier in the show, when Lucentio urges other characters to “give him head,” meaning listen, another character turns away, muttering he doesn’t want to see any such thing.
Funny, but contemporary, and it’s cha cha-ing along a pretty fine line to make the play relevant in such a way to modern audiences without acknowledging that the resolution of the play, as written, is agonizingly sexist. To say the reaction to “give him head” and Katharina’s speech are both items for a time capsule, and thus acceptable as such to a modern audience, is glib; Lucentio and the others on stage share an idiom, so there’s no getting around that misunderstanding “give him head” is a comment to people in 2006, not the 1950s. There are Shakespeare purists who wouldn’t want to change the message of the play’s ending, but once you start screwing around with the text to make three hours of “Shrew” fly by, setting it in “Bostonia,” making Petruchio’s horse into a Vespa and such, you start to lose moral authority on leaving the sexism intact.
It would have been so easy to get around the excruciating nature of Katharina’s speech, too. As the people with whom I saw the play pointed out, Petruchio and Katharina could have been shown to be in collusion — as equals — to win the 100 crowns by falsely portraying her to be a meek and subservient woman.
This inadequate amount of effort, interestingly, reflected itself in a very different and very physical way on the production, which ended Sunday. The set for the play was beautiful, clever and accomplished, but it was also set low enough that much of the onstage action was impossible to see from only several meters back. It’s a mystery why set designer John Coyne couldn’t raise the action high enough over the lawn that audience members could see the action no matter how far back they sat.
The director and set designer made impressive efforts in their respective arenas, and each seemed to make decisions to hold back that caused discomfort to the audience — or, at least, to audience members with enough distance to appreciate what was lacking.
TWENTY-EIGHT DAYS LATER
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Has anyone noted the utter absurdity of our officials envying British antiterrorist tactics? For anyone who hasn’t read or heard the nonsense, let me quote at length from Eric Lichtblau’s article in Tuesday’s New York Times:
Gonzales and Chertoff struggle mightily to overlook their own well-documented, years-long and chargeless imprisonment, rendition and torture of — although many hardly deserve this description — terrorism suspects, foreign and domestic, as well as the illegal tapping of phones and investigation of finances enabled by presidential “signing statements” or merely national ignorance. We’ve held Jose Padilla and dozens, if not hundreds, of others in our prisons at length without charges, and it’s unlikely to the point of impossibility that some terrorist somewhere has overlooked this; so which would dissuade this theoretical terrorist more — being held without charges for 28 days by the Brits, or disappearing for several years into some nameless black hole of waterboarding and beatings run by the Americans?
Talking about what “American law generally requires” in this context is like noting that the Ten Commandments says “Thou shalt not kill.” This being the case, it’s not a little offensive watching Gonzales’ and Chertoff’s attempts at innocence via earnest yearning to adopt British techniques that might stem terrorism. It probably confuses the British, too.
WASHINGTON, Aug. 14 — Attorney General Alberto R. Gonzalez on Monday ordered a side-by-side review of American and British counterterrorism laws as a first step toward determining whether further changes in American law are warranted.
The plot to blow up airliners bound from Britain to the United States has highlighted differences in legal policies between the two allies, with American officials suggesting that their British counterparts have greater flexibility to prevent attacks.
Newly revised British counterterrorism laws, for instance, allow the authorities to hold a suspect for 28 days without charges, where American law generally requires that a suspect held in the civilian court system be charged or released within 48 hours.
Homeland Security Secretary Michael Chertoff said in appearances on the Sunday morning news programs that he thought bringing American laws more closely into line with Britain’s, particularly regarding the detention of terror suspects without charges, could help deter threats at home.
“I think certainly making sure that we have the ability to be as nimble as possible with our surveillance, it’s very important,” Mr. Chertoff said on “Fox News Sunday.”
“And frankly,” Mr. Chertoff added, “their ability to hold people for a period of time gives them a tremendous advantage.”
Mr. Gonzales echoed those remarks Monday in an appearance before a veterans group in Chicago. Asked about Britain’s 28-day policy, he said, “That may be something we want to look at,” according to an account by The Associated Press. But he also said: “Is it consistent with our Constitution? We have to look at that.”
Gonzales and Chertoff struggle mightily to overlook their own well-documented, years-long and chargeless imprisonment, rendition and torture of — although many hardly deserve this description — terrorism suspects, foreign and domestic, as well as the illegal tapping of phones and investigation of finances enabled by presidential “signing statements” or merely national ignorance. We’ve held Jose Padilla and dozens, if not hundreds, of others in our prisons at length without charges, and it’s unlikely to the point of impossibility that some terrorist somewhere has overlooked this; so which would dissuade this theoretical terrorist more — being held without charges for 28 days by the Brits, or disappearing for several years into some nameless black hole of waterboarding and beatings run by the Americans?
Talking about what “American law generally requires” in this context is like noting that the Ten Commandments says “Thou shalt not kill.” This being the case, it’s not a little offensive watching Gonzales’ and Chertoff’s attempts at innocence via earnest yearning to adopt British techniques that might stem terrorism. It probably confuses the British, too.
ADDRESSING THE PROBLEM
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To keep gawkers from the one-time home of serial killer Son of Sam, the city of Yonkers, N.Y., changed a building’s address. But if stressing normalcy was the goal, changing the number to 42 Pine St. from 35 Pine St. might not have been the way to go.
It sure doesn’t fool tourists, who have no reason to be on Pine Street except to see Shrine to Son of Sam. And innocent visitors must wonder aloud to the people they’re visiting why there’s an even-numbered building on the odd-numbered side of the street, to which the inevitable answer is, “Because that’s where David Berkowitz used to live when he was talking to dogs and killing people.”
But that still puts Yonkers ahead of Greater Boston, where civil engineering disasters linger and multiply like recessive genes in a claustrophobically incestuous multigenerational family.
Recently, headed to work from Allston instead of Porter Square, I aimed to catch Interstate 93 south from Route 28 north but — because this brought me into Somerville, and I can get lost in Somerville just by stepping across the city line — failed. Despite the painfully redundant checking of maps before the trip, I missed the turn I needed onto 28 and found myself ready to merge onto 93 once I crossed the Charles River Bridge past the Museum of Science.
But I wanted to learn, and the cross street I was stopped at, like almost every major street in the area, lacks street signs. So I gestured to the guys in the car to my left, who looked like townies, to roll down their window. When the passenger did so, I asked if he knew what the street ahead of us was.
He knew that ahead to the left was the Prison Point Bridge.
Okay. But did they know what the gigantic street ahead of us was called?
“Hey, buddy,” they chortled, “we’re not the one who’s lost.”
There were many things I could have said to this, including that I wasn’t lost — I was headed straight ahead onto Interstate 93 — or that knowing the name of a one-block bridge was not the same as knowing the name of the multilane, multiblock boulevard that fed into it. (We were stopped at Edward Land Boulevard, which changes into Charlestown Avenue at Route 28. The bridge is also known as the John F. Gilmore Bridge.) Or that I hadn’t meant to criticize their lack of knowledge with my innocent restatement of the question. But it was too late for that.
I just said thanks and ignored them as they kept chuckling over my foolishness. True, they were idiots who would rather make fun of me than admit ignorance, but their lack of knowledge wasn’t their fault. While Yonkers made an irrational change for rational reasons, Greater Boston resists improvement for no reason at all. Yonkers may try to obfuscate a murderer’s address, but Greater Boston won’t clarify an address used by thousands of people each day.
It sure doesn’t fool tourists, who have no reason to be on Pine Street except to see Shrine to Son of Sam. And innocent visitors must wonder aloud to the people they’re visiting why there’s an even-numbered building on the odd-numbered side of the street, to which the inevitable answer is, “Because that’s where David Berkowitz used to live when he was talking to dogs and killing people.”
But that still puts Yonkers ahead of Greater Boston, where civil engineering disasters linger and multiply like recessive genes in a claustrophobically incestuous multigenerational family.
Recently, headed to work from Allston instead of Porter Square, I aimed to catch Interstate 93 south from Route 28 north but — because this brought me into Somerville, and I can get lost in Somerville just by stepping across the city line — failed. Despite the painfully redundant checking of maps before the trip, I missed the turn I needed onto 28 and found myself ready to merge onto 93 once I crossed the Charles River Bridge past the Museum of Science.
But I wanted to learn, and the cross street I was stopped at, like almost every major street in the area, lacks street signs. So I gestured to the guys in the car to my left, who looked like townies, to roll down their window. When the passenger did so, I asked if he knew what the street ahead of us was.
He knew that ahead to the left was the Prison Point Bridge.
Okay. But did they know what the gigantic street ahead of us was called?
“Hey, buddy,” they chortled, “we’re not the one who’s lost.”
There were many things I could have said to this, including that I wasn’t lost — I was headed straight ahead onto Interstate 93 — or that knowing the name of a one-block bridge was not the same as knowing the name of the multilane, multiblock boulevard that fed into it. (We were stopped at Edward Land Boulevard, which changes into Charlestown Avenue at Route 28. The bridge is also known as the John F. Gilmore Bridge.) Or that I hadn’t meant to criticize their lack of knowledge with my innocent restatement of the question. But it was too late for that.
I just said thanks and ignored them as they kept chuckling over my foolishness. True, they were idiots who would rather make fun of me than admit ignorance, but their lack of knowledge wasn’t their fault. While Yonkers made an irrational change for rational reasons, Greater Boston resists improvement for no reason at all. Yonkers may try to obfuscate a murderer’s address, but Greater Boston won’t clarify an address used by thousands of people each day.
DID SHE MEAN ‘BIG BOTHER’?
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Yesterday’s Los Angeles Times included a take on the movement toward energy-saving fluorescent light bulbs, the sale of which California would mandate by 2012.
The story talked to one average consumer — Marie Riser, 57, a discount-store shopper.
“They are telling me which light bulb to use?” Riser said. “Talk about Big Brother. It’s almost here.”
There are terrific advantages to the bulbs, including their longevity and ability to help the environment. The companies that make standard incandescent bulbs sound feeble when they vow to double the energy efficiency of their products within three years; twice the efficiency still gets them nowhere near the benefits of fluorescent bulbs.
Riser’s outrage sounds odd in California, among the first to toss cigarette smokers outdoors and where gas is more expensive because the additive MTBE is banned. But it sounds downright bizarre when contrasted with everything else going on in the country right now.
For instance, in addition to Guantanamo and illegal wiretaps and such, a defense budget signed into law Oct. 17 included a surprise provision, requested by the White House, that allows the president to declare martial law in the case of “natural disaster, epidemic or other serious public health emergency, terrorist attack or incident.” These are all powers added to the president’s ability “to suppress, in a state, any insurrection, domestic violence, unlawful combination or conspiracy.”
The added powers basically allow martial law for any reason.
But, yes, the whole energy-saving light bulb thing, stilll a proposal and not slated to take place for five years, is an outrage. Shocking abuse of power. Horrifying. We mustn't let them get away with it. Et cetera.
The story talked to one average consumer — Marie Riser, 57, a discount-store shopper.
“They are telling me which light bulb to use?” Riser said. “Talk about Big Brother. It’s almost here.”
There are terrific advantages to the bulbs, including their longevity and ability to help the environment. The companies that make standard incandescent bulbs sound feeble when they vow to double the energy efficiency of their products within three years; twice the efficiency still gets them nowhere near the benefits of fluorescent bulbs.
Riser’s outrage sounds odd in California, among the first to toss cigarette smokers outdoors and where gas is more expensive because the additive MTBE is banned. But it sounds downright bizarre when contrasted with everything else going on in the country right now.
For instance, in addition to Guantanamo and illegal wiretaps and such, a defense budget signed into law Oct. 17 included a surprise provision, requested by the White House, that allows the president to declare martial law in the case of “natural disaster, epidemic or other serious public health emergency, terrorist attack or incident.” These are all powers added to the president’s ability “to suppress, in a state, any insurrection, domestic violence, unlawful combination or conspiracy.”
The added powers basically allow martial law for any reason.
But, yes, the whole energy-saving light bulb thing, stilll a proposal and not slated to take place for five years, is an outrage. Shocking abuse of power. Horrifying. We mustn't let them get away with it. Et cetera.
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